Saturday, April 4, 2026
The Answer is 42
Wednesday, December 31, 2025
Submerge
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| Kiril Dobrev/Unsplash |
Other artforms engage too but not in so discreet a manner. Drama, dance, music, movies, art and even graphic novels have a physical presence external to you which make them identifiable as such but words that you are currently reading are suitably undercover. The world which they have encased you in is completely invisible to everyone else and the mental universe you are inhabiting is yours alone. In some ways, it is a waterbody below whose surface you are enthusiastically deep diving in but up above, there are no tell-tale signs.
Quirk
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| Radek Kozák/Unsplash |
The End
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| Lance Grandahl/Unsplash |
Tuesday, December 30, 2025
Monumental
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| 3rd December 2025, Neyyar WLS, Kerala |
Monday, December 29, 2025
Mindful
Be present in the moment. Appreciate what you have. An attitude of gratitude. Truisms with a history of overuse and abuse are a dime or anna a dozen and if anything, their usage seems to be only rising. There is comfort in the familiar and to criticize cliché is to risk facing reverse snobbery. We must be mindful of the hurt sentiments of those who feel excluded by any subversion of what is expected. In an age of public performance, pandering to the watching crowds is not selling out, it is the only path to engagement.
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| 21st July, 2025 |
Sunday, December 28, 2025
Air Like
Saturday, September 6, 2025
Lawrence in Arabia: E-Books and War
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| Lawrence in Arabia |
The book's fairly long subtitle "War, Deceit, Imperial Folly and the Making of the Modern Middle East" was what had drawn me to purchase it back in 2010. Nothing beats reading yet another record of the casual psychopathy and apathy with which the imperial nations of the modern age, maybe all ages, treat their 'subjects'. While nothing about their behaviour is truly surprising, it bears repetition every once in a while to prevent relapsing into quiet acceptance and a "Let It Be" mentality. The past cannot be undone but it need not be forgotten.
In that jolly spirit, I dipped into the soulless e-book and came away surprised. For one, the core story of Thomas Edward Lawrence (a.k.a "Lawrence of Arabia") turned to be much more than the white 'saviour' of the 'wild' tribes who did not deserve him that I was expecting. For the uninitiated, the legend of Lawrence of Arabia goes that there was this British academic turned spy turned rebel leader who went full "native" with Arabian tribes during the first World War helping them win their freedom from the Ottoman Empire of the Turks only to be immediately divvied up by the British and French ones at the end of it. Lawrence as the lonely symbol of British honour was thus betrayed and his noble intentions were flushed down the drain.
My only acquaintance with the Lawrence legend until this e-book was through an overtly celebratory movie on him, a much awarded 1962 cinematic blockbuster - David Lean's "Lawrence of Arabia" - which my Dad and many of his generation were big fans of. It was like the Jurassic Park of their times so they were blind to the movie's faults as much as I would be of Steven Spielberg's 1993 masterpiece. As a post liberalization Indian, I already had a less than rosy image of such British 'heroes' but Scott Anderson, as an experienced war journalist, brought me a lot more nuance on the legend.
The cloak of macho-ness that mass murder (under the banner of war) requires a person to put on and the terrible turbulence caused from the same in any sane person's conscience is captured exceedingly well. Lies, half-truths, averted eyes - all in pursuit of 'national' objectives fuelled by old men sending young men to die brutal deaths for questionable gains. As the book indicates, Lawrence was an extraordinary man shaped by equally extraordinary circumstances but subject to almost all the same flaws as an ordinary one. What Scott Anderson also does very well is flitting between multiple memoirs of the same events, giving due cognizance to the Rashomon effect of individual perceptions and self-images.
It was clear to me through a reading of the story how books, even e-books, stand head and shoulders above any other medium of learning. Here I was, in the comfort of my home in a rainy week in Dehradun, travelling to multiple destinations threaded together through 4 main protagonists - the aforementioned TE Lawrence representing British interests and conflicts; Curt Prufer a German spy academic who was then serving the Kaiser and would go on to serve Hitler too; Aaron Aaronsohn an agronomist cum Zionist with a key role to play in forcing the momentum that would one day birth Israel and William Yale a Yankee scouting for oil in the same war torn provinces while also keeping America up to speed on goings on.
As an authorial voice, Scott Anderson goes well beyond the usual to elaborate on the confusions, double-dealings, personality quirks and blind coincidences that would shape what continues to be one of the most troubled regions in the world today. More importantly, the book performs a sincere takedown of the glories of war and pseudo-nationalists leaving a bitter and necessary aftertaste of what it does even with its so-called heroes and victors. All sides in a war belabour under the pretence that they are doing "the right thing" but the blood-and-guts journey to victory leaves even the most ardent believer in doubt of their methods.
While I would have loved to have partaken of this story through the pages of a well-thumbed hardcopy, browsing this 15-year old digital replica of a book made me reconsider, albeit briefly, my rigid declaration of the soullessness of an e-book. Are the words that make a book less important just because they have been coded into binaries of 0 and 1 instead of being printed in ink on processed wood pulp?
All I can say is that I am happy that Scott Anderson's version of the Lawrence story found its way to me, convolutedly, through an ancient barely functional tablet. Digital though it was, its impact was like that of all good books and soon enough, when the tablet dies as it is bound to, I will miss these journeys I took with it across space and time. Unlike a 'real' book, it will not stay on my bookshelf to remind me of our past association. That to me is a different sort of tragedy.
[https://virtual-inksanity.blogspot.com/2025/09/lawrence-in-arabia-e-books-and-war.html]
Friday, November 15, 2024
Audience
The premise was interesting, very interesting. A bank-heist caper set in the small towns and urban villages of Bengal in the mould of a genius criminal vs dogged cop drama. The output was fantastic too. Tense camerawork, authentic acting and locale worthy music brought together the story with impact and verve. "Bohurupi", a movie which I watched yesterday without even seeing its trailer or reviews delivered entertainment in spades for Baba and me. Not exactly a Childrens' Day movie though we watched it on the day, it pushed a message that becomes all the more clearer as you grow older, that for capable and sincere 'professionals' pushed into corners by unfair circumstances, the 'moral' choice is not default. Baba's end of movie statement that "Bangla cinema kothai pouchey geyeche... baaki der theke ONEK oporre [Look where Bengali cinema has reached... the others will never be able to catch up]" was the typical unwarranted over-the-top declaration without which Bengaliness remains uncertified. Nonetheless, I would recommend watching it. Worth your time.
But the reason I write this post is that all through the movie, I couldn't stop thinking about what would people on whom the movie is based feel about the same? The memorably portrayed independent pick-pocketeer Jhimli with a sharp tongue and seductive eyes. Would she feel represented through the movie or would she think that 'her' character was a simplified novelty meant for city viewers? The small town 'chor' [thief] guru Salim who is a master at his craft but only in the small world that he inhabits - he is no suave Danny Ocean whom international audiences (claim to) admire and (aspire to) relate to, chor or not. Would he judge the directors Shiboprasad Mukherjee and Nandita Roy for projecting expertise on themes they don't have it on? The bohurupis [quick-change folk artists who travel in troupes performing in town and village squares which are usually off the 'in' circuit] themselves, skilled in 'overacting' and melodrama of the kind that sells to a less urbane and therefore less cynical audience. Would they feel proud that audiences in Kolkata, and possibly the globe, would now know of them or are they also well aware that their caricaturish passionate performances which form the baseline of the film will not make its urban audience actually attend in person their rapidly fading world of street performances to support or to save it? But then again, through the centuries they have been master shape shifters/spies/survivors and for them success is not dependent on such fickle support driven by Netflix trends and corporate YOLO mantras. For them, a new story arc and a new beginning is one snappy costume change away.
[https://virtual-inksanity.blogspot.com/2024/11/audience.html]
Sunday, May 19, 2024
Second. Best.
Sunday, 19th May, 2024, 16:00 hrs. Indian Standard Time
I am firmly on the spectator side of sports. The physical co-ordination required to direct a bat/ball/racquet like entity while simultaneously twisting/running/jumping has always eluded me. Never particularly angry/frustrated at the player(s) when my chosen player/team fails to win, I know that however poorly they played, they were better than I would have been in the same situation.
Good thing then that I support Arsenal. A North London football club in the Premier League, they seem to float among the elite names of the footballing world without quite making it. In a few hours time, 10 months of an amazing football season by the club is (probably) going to end without a trophy. Much to the joy of fellow armchair fans of more 'winning-est' clubs, not for the first time.
Isn't sport, playing or watching, all about winning? A mostly controlled experience of sharpening that competitive edge without slashing around wildly? Looking around, the evidence seems to point in that direction. Unlike me, there are many for whom the primary return from the investment of watching 'their team' on TV is the second-hand joy of their victory or the venting of unfiltered frustrations at their loss.
I make no claims to be completely above such feelings. I cannot recommend losing or mediocrity. At this point, if my total time sunk into watching and cheering for Arsenal were a person, he would be above the legal drinking age of 21 - with only one major season-end occasion for cheer in all that while. I WANT them to win and their success IS my success in that magic mix of marketing, circumstance and choice which professional sport leagues around the world thrive on.
But somewhere tied in with my inability to stitch a series of good passes together is a philosophical acceptance that such is the nature of sport. I feel that sport is a wonderful stand-in for life, where bravery, rising to the occasion and comebacks from the edge of disaster feature frequently but it is important to acknowledge that it is still only a stand-in. While the sportsperson has the additional responsibility of making fans happy or face their judgement in a public arena while in pursuit of personal dreams, being seen and cheered is part of the draw in today's age.
In a near perfect season from August 2023, this young Arsenal team has solidly glided and gritted its way through only to be bettered by the finest of margins by an even better Manchester City team. Arsenal's current manager Mikel Arteta is upbeat and cheerful even now because he knows that in a game where 22 well-trained professionals duel with a sphere, space and gravity, certainties and miracles co-exist. As a distant observer whose only effort is in watching, if the guy in the midst of it all can take it in his stride, so can I.
In real life, the race targets and prizes may vary but we must all run. Sports competitions offer a low(er) consequence re-run of the same. There are rules and limitations aplenty - heroes, villains, fate and redemption. The smoothness of Arsenal's play in the Arsene Wenger years had drawn me in and though the glimpses of genius have been few and far between since, they have been enough for me. As my life and career ran along in parallel streams and eddies, the constant grace of this footballing team gave me a useful alter-ego.
I watch and cheer for this team, drawing on memories of Bergkamp and Henry, sympathizing with Fabregas and Ozil and wishing the best for Saka and Rice with the smile of the art professor Wenger floating all through. In the end, sports offers an infinite sea of stories with their own trajectories. There is no right story or wrong story, only a highly subjective 'your story' where the personal maps with the unscripted nature of the playing arena, projecting meaning and inspiration. In picking Arsenal's story, through all its glorious uncertainties and glimmers of hope, I have picked mine.
[https://virtual-inksanity.blogspot.com/2024/05/second-best.html]
Saturday, May 4, 2024
Inspirational Horror
It is possible to supremely appreciative by looking solely at the scale of what was achieved by Hamida Begum but simultaneously recoil in shock at how it ended. Today's Google Doodle shero has enough to engage both those sentiments [https://doodles.google/doodle/celebrating-hamida-banu/]. All the more reason why it should be featured on the starting screen of many an Indian Internet surfer.
Hamida Begum, a wrestling predecessor to the Phogats and the Maliks, has an incredible story to tell given the times and the society that she grew up in [https://www.bbc.com/news/world-asia-india-65630615]. The accusations of match-fixing reek of the typical attitude of a patriarchal society unable to adjust to the possibility of equal ability, even for a single 'outlier' individual. The reason for her disappearance from the halls of fame is too terrifying not to be true and is best read at the link above without any summarization here. Nothing surprising in what happened because even decades after, such incidents demonstrating deep-set insecurity and malevolent control-seeking when men and women interact continue to feature in the news today.
While it is difficult to be completely celebratory once aware of the full life arc of Hamida Begum, the fact that she existed and is remembered offers some redemption. The journey she set out on may have been cut short brutally but like the proverbial first step of a long long trip, the importance of it cannot be overlooked.
[https://virtual-inksanity.blogspot.com/2024/05/inspirational-horror.html]
Saturday, July 11, 2020
Freelancer
Whitey decided to sneak out of the house on his own once again. This is him from yesterday morning, under the illusion of being well camouflaged when I came searching for him. Though clearly surprised at his masterstroke not working, he was quite happy to accompany me back to the house and then promptly do his regular walk round the block just to give this early rising human some company and much needed leash holding exercise.
Wednesday, January 15, 2020
FSociety
Tuesday, June 4, 2019
A Lil' Bit of Everything
Sunday, June 2, 2019
Killer. Cute.
Saturday, December 23, 2017
Politics? Who? Me?
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| PC: Mohamed Hasan @ Pixabay |
“Kyunki main politics nahin kartaa!” [Because I don’t engage in politics]
This is only a gentle reminder that good rapport is good practice.
Sunday, July 2, 2017
Rainy runs
Thursday, April 19, 2012
Living with differences
Tuesday, January 6, 2009
Radically unique

Sunday, December 21, 2008
A fairytale for grown-ups??





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